A machine – the simplest rotating devices of mechanical nature – come apart and expands on black background of Koyama’s canvases while parts of human body gently and with care hold, elevate or support the running parts. The Mechanism unfolds in human’s hands overcoming its utilitarian or even material nature and while generating aesthetical strength goes beyond the material. As a particular visualization of METAMACHINE Koyama’s devices transform and regenerate themselves into medium with access to supernatural dimension, as a mega-key to the parallel world where machine have same rights for beauty and sublime as human body in ours.
Beautiful title sequences from the movie The FallI often think that slow motion is becoming a bit over-used, but that’s far from the case here. When in the right hands, it can turn chaos into tranquility. (more…)
Edward Steichen, 1879 – 1973Edward Steichen (1879-1973) is unquestionably one of the most prolific, versatile, influential, and indeed controversial names in the history of photography. (more…)
Alvin Langdon Coburn – Pictorial PhotographyAlvin Langdon Coburn (June 11, 1882 – November 23, 1966) was an early 20th-century photographer who became a key figure in the development of American pictorialism. He became the first major photograp...